Da ficção científica para a ficção religiosa: ideias para pensar o cinema de ficção científica como o culto da religião vivida (From Science Fiction to Religious Fiction: ideas to think on Science Fiction cinema as the cult of lived religion). DOI - 10.5752/P.2175-5841.2012v10n26p552 Este artigo tem como objetivo refletir sobre a chamada religião vivida como uma forma de repensar o papel da teologia e das ciências da religião na contemporaneidade. O estudo da religião vivida será investigado na relação entre o (...) cinema de ficção científica e a religião, propondo que, nesta relação, há uma forma de religião vivida intensa e viva. Sugere-se, assim, que o cinema seja hoje uma forma de culto e ritual, cumprindo parte do papel que os mitos e ritos sagrados desempenham na vida das pessoas, ao longo dos tempos. O artigo contém quatro partes: introdução sobre a religião vivida; religião vivida no caso específico do cinema; o cinema de ficção científica como uma forma de religião; aplicação da teoria no filme “Contato” (Robert Zemeckis, USA 1997); conclusões sobre a vivência religiosa em forma de mito e rito nos filmes de ficção científica e as consequências disso para a teologia e as ciências da religião. Palavras-chave : Cinema de ficção científica. Religião. Culto e rito. Religião vivida.: This article aims at reflecting about the so-called lived religion as a way of rethinking the role of theology and religion in contemporary society. The study of the lived religion will investigate the relationship between the cinema of science fiction and religion, suggesting that, in this relation, there is particular and intensive form of lived religion. The present article suggests that cinema today is a form of cult and ritual which performs part of the role that sacred rites play in the lives of people along the time. The article contains four parts: introduction about the lived religion; lived religion in the specific case of cinema; the cinema of science fiction as a form of religion; the application of theory in the movie “Contact” (Robert Zemeckis, USA 1997); conclusions on the religious experience in the form of myth and rite in science fiction movies as well as the consequences for theology and religious studies. Keywords : Science fiction cinema. Religion. Cult and rite. Lived religion. (shrink)

This article reflects on the anthropological aspect of the pilgrimage, the human journey, as a metaphor for life, as a way of relating and understanding religion, spirituality, life itself and tourism as forms of pilgrimage. The pilgrimages of the Christian tradition will be analyzed, seeking to understand them of the anthropology of Victor Turner, analyzing the pilgrimage as a state of liminality and liminoid. Concretely we will look at the case of the Romarias da Terra in Brazil, as an example (...) of liminality/ liminoid and communitas. In addition, this article reflects on the "new centers" of pilgrimage, outside the religious scope, as spaces of pop culture or the visit to tourist sites and monuments of social and cultural memory. The goal is to understand where people have pilgrims and what the meaning of these pilgrimages. In this displacement out of the religious scope, one wonders if tourism would also be a form of pilgrimage. Or would tourism lack precisely the preliminary aspect, something that could be related to Bauman's analysis of the tourist and the vagabond? It is suspected that in a globalized world, places lose their content and identity. People pass through places, but places no longer pass through them. With this, walking also loses its liminal function. (shrink)